She paints her country, Mina Mina without any traditional iconography from her familial lines, creating her own innovative language to portray her country. Dorothy’s paintings are created by an intricate network of lines that collide and implode on top of each other creating a play of tension and expansion, transporting the viewer through a myriad of intersections. Her view is constantly changing: one painting giving an aerial perspective; the next as if she has placed a microscope to the ground.